Monday, January 28, 2013

Begumbazar Mosque


The design of the mosque is quite fascinating. The mosque, with a do-chala annex on the northern side built on high vaulted terrace, is entered from the east through five arched doorways. There was a stepped well to the north east of the platform to provide water for ablutions. In course of time the well became filled up with filth and later shops were built on it. The interior of the original mosque, forming a large elongated hall (25.60m by 5.18m), is divided into five bays by four transverse arches of plain four-centred design. The central bay is square and bigger than a couple of smaller rectangular ones on either side. Underneath the platform are a series of rectangular rooms that are let out to shopkeepers. The approach to the mosque is on the east of the platform by a flight of steps. The western wall is internally recessed with five semi-octagonal mihrabs. A kitchen market was built, endowed to meet the expenses of the mosque. In 1777, the control of the market was taken over by Lovely Begum daughter of the then Naib-e-nazim Sharfaraz Khan. The name of the locality ‘Begumbazar’ originate from her name. The mosque underwent several phases of reconstruction in the past and now having further renovation work. The madrassa has been shifted from the mosque.
Very little is known about his family and parenthood. Haji Shafi of Ispahan brought him up in Iran and gave him useful education. After Haji Shafi's death, he entered the Mughal service in India as diwan and faujdar of Golkonda. When Mughal emperor Aurangzeb was looking for an honest and efficient diwan for Bengal, his choice fell on this young man. He was transferred to Bengal in 1701 as diwan and was honoured with the title of ‘Kartalab Khan’.

He was honest and faithful to the emperor, proved to be very efficient in matters of revenue and financial administration. But while safeguarding imperial interests, he came into conflict with Azim-us-Shan, the nazim and grandson of the emperor. He was about to lose his life, but faced the problem with fortitude and courage. The emperor intervened with warning to his grandson and allowed Kartalab Khan to shift his office to Makhsudabad on the Ganges in 1702. In 1703, Kartalab Khan visited the emperor in the Deccan where he got the title of ‘Murshid Quli Khan’ and an elevation in rank. The emperor also allowed him to rename Makhsudabad as Murshidabad after his new title.

After Aurangzeb's death in 1707, the Mughal Empire was in turmoil and faced dismemberment. Bengal was, at that time, being governed by absentee governors through their deputies. Murshid Quli Khan was recalled from Deccan in 1710 and became the deputy subehdar, on behalf of the absentee son of Farrukh Siyar, and then, after his death, of the absentee subehdar. But he continued to stay at Murshidabad. Being the highest officer present in the station, the control of affairs in the province fell in his hands. He was raised to the post of nazim of Bengal in 1716. He was loaded with titles. He secured the imperial title of "Motamul-ul-Mulk, Alauddowla Jaffer Khan, Noseri Nasir Jang (Guardian of the country, promoter of the State, Helper in War, the Defender). He transferred the capital of the province from Dhaka to Murshidabad in 1717 and reigned over Bengal, Bihar and Orissa.

He was true to his salt and did not yield to pressure, he didn't allow the East India Company to purchase more villages around Calcutta even after the company's receipt of the imperial farman. Murshid Quli Khan was also a good builder. Kartalab Khan's Mosque/ Begam Bazar Mosque at Dhaka and the Murshidabad Mosque bear his name. He also opened a mint and introduced the "Zurbe Murshidabad” coin. In private life, he was extremely religious and never deviated from the path of shariat. After a successful tenure of office, he died in Murshidabad on 30 June 1727.

Chawk Mosque (Chawkbazar Shahi Mosque)


Chawk Mosque (also Chawkbazar Shahi Mosque) in Dhaka, Bangladesh, is located in the Chowk Bazaar area of the old town of Dhaka, south of the current city centre. The mosque is built above a raised platform. The three domed mosque above the platform, now transformed into a multi-storied structure was originally a copy of Shaista Khan's another three domed mosque at the Mitford Hospital compound near the Buriganga River. Today the original building design has been lost through multiple renovations and extensions.

Interior & Exterior Design

The western half of the 3.05m high vaulted platform (28.65m from north to south and 24.38m from east to west) is occupied by the original three-domed mosque. It measures, inclusive of the four octagonal towers on the exterior angles, 16.15m by 7.92m. There are three four-centred archways in the east, all opening out under half-domed vaults. The half-domed vault of the central archway still contains beautiful Muqarnas works in stucco. Corresponding to the three eastern entrances there are three Mihrabs inside the west wall, all now remodelled. The central mihrab still has a semi-octagonal aperture, while its flanking counterparts are rectangular in design. The mihrabs are now all studded with lustrous pieces of enamel. The rectangular frames enclosing the mihrabs are now topped by rows of painted crestings. The floor of the mosque is now laid with marble.
The interior of the mosque was divided into three bays - the central one square and the side ones rectangular. All these bays were covered with domes, the central one being bigger than its flanking counterparts. This can be deduced from the newly built three-domed prayer chamber exactly above the original one, where the central dome has been kept larger than the side ones.
The vaulted rooms all round underneath the platform are either square or rectangular in shape. Many of them are now let out to shopkeepers and others are still being used as accommodation. The underceilings of these rooms are flat on the top and barrel-shaped at the sides.
The promenade around the three domed prayer chamber, since there was no separate structure for study purpose, might have been used for open-air classes and the vaulted room with book-shelves on their walls underneath the platform may have been designed to provide residential accommodation for those who used to teach and study here. In that context Chawk Mosque may be regarded as the first known example of Residential Madrasa Mosque.

History

The construction has been dated to 1676, as noted by an inscription in the Persian language over a doorway. The inscription attributes the project to Subahdar Shaista Khan. So far known this is the earliest dated mosque in the History of Muslim Architecture in Bengal built on a high vaulted platform. Its architectural design was perhaps influenced by Tughlaq Architectures; such as Khirki Masjid or Kalan Mosque of Delhi. Influenced by this structure some other mosques were built in Dhaka and Murshidabad.

 



 


Shaheed Minar

The Shaheed Minar (Bengali: শহীদ মিনার Shohid Minar lit. "Martyr Monument") is a national monument in
Dhaka, Bangladesh, established to commemorate those killed during the Bengali Language Movement  demonstrations of 1952.
On February 21, 1952, dozens of students and political activists were killed when the Pakistani police force opened fire on Bengali protesters who were demanding equal status for their native tongue, Bengali. The massacre occurred near Dhaka Medical College  and Ramna Park in Dhaka. A makeshift monument was erected on February 23 by students of  University of Dhaka and other educational institutions, but soon demolished on February 26 by the Pakistani police force.
The Language Movement gained momentum, and after a long struggle, Bengali was given equal status with Urdu. To commemorate the dead, the Shaheed Minar was designed and built by Hamidur Rahman, a Bangladeshi sculptor. The monument stood until the Bangladesh Liberation War in 1971, when it was demolished completely during Operation Searchlight. After Bangladesh gained independence, it was rebuilt.
At present, all national, mourning, cultural and other activities held each year, regarding 21 February, have been centered around the Shaheed Minar. 

The First Shaheed Minar

The first Shaheed Minar was built immediately after the events of February 21, 1952. According to Dr. Sayeed Haider, a main planner and the designer of the first Shaheed Minar, the decision to build it was first made by the students of Dhaka Medical College. Shaheed Minar is situated near Dhaka Medical College Hospital and in the Dhaka University area. It is adjacent to the Mathematics department of Dhaka University. It is only 0.5 kilometres (0.3 mi) away from Shahbag and 0.25 km (0.16 mi) distant from Chankharpul. Shaheed Minar is an outstanding monument of Bangladesh. It was built to tribute the martyrs who given up their life for language. The main incident had been occurring inside of Dhaka medical college hospital. So a decision was taken to build a memorial adjacent to DMCH. The planning started at midnight on February 22, and the work started the next day. This Minar was sponsored by Pearu Sardar, one of the old Dhaka panchayet sardars, when some of the students asked his help at midnight of 22 February, to contribute the raw materials needed to build the monument. Although curfew was in place, students started building the Minar in the afternoon of February 23. They worked through the night and finished it at dawn. A hand written paper was attached to the Minar with "Shaheed Smritistombho" written on it. The original Minar measured 10 by 6 feet (3.0 m × 1.8 m).[The Minar was inaugurated by the father of Sofiur Rahman, killed during the massacre. It was demolished within a few days by the police and Pakistani Army. Smaller versions of the memorial were built in other places of the country. Two years after the first monument was destroyed by the police, a new Shaheed Minar (Monument of Martyrs) was constructed in 1954 to commemorate the protesters who lost their lives. This minaar (monument) was inaugurated by Natyaguru Nurul Momen. Work on a larger monument designed by the architect Hamidur Rahman began in 1957 with the support of the United Front ministry.

Shaheed Minar (1963-1971)

Following the formation of local government by the United Front - lst by A.K. Fazlul Huq and the Awami League, the anniversary of 21 February in 1956 was observed openly and widely and it became possible to construct the new monument. Sculptor Hamidur Rahman created the design of Shaheed Minar under which construction was started in 1957. Hamidur Rahman’s model was a huge complex on a large area of land in the yard of Dhaka Medical College Hostel. The enormous design included a half-circular column to symbolize the mother with her fallen sons standing on the monument's central dais. Yellow and deep blue pieces of stained glass, symbolizing eyes reflecting the sun, were also to be placed in the columns. The marble floor was designed to reflect the moving shadows of the columns. The basement of the Minar also included a 1,500-square-foot (140 m2) fresco depicting the history of the language movement. A railing decorated with Bengali alphabet was to be constructed in front. Two footmarks coloured red and black, indicating the two opposite forces, were also in the design. Besides this a museum and a library were also included in Hamidur Rahman's design. A fountain shaped like an eye was also to be constructed. Rahman specifically designed the materials of the monument to withstand the area's tropical climate.
Construction started in November 1957, under the supervision of Hamidur Rahman and Novera Ahmed. Most of the work, including the basement, platform, some of the columns with the rails, footprints and some of the murals were also finished when martial law was declared in the area, and the construction was forced to a halt. Construction work was completed in 1963, leaving much of Rahman's design unfinished. It was inaugurated on February 21, 1963, by the mother of Abul Barkat, Hasina Begum. The Minar was severely damaged by the Pakistan Army during the Bangladesh Liberation War in 1971. The columns were destroyed during the fighting. The Pakistani Army crushed the Minar and placed over the rubble a signboard reading "Mosque".
 

Re-establishment of Shaheed Minar and current state

In 1972, a committee headed by the then president Abu Sayeed Chowdhury was formed and renovation work began. The original sketch was ignored, while the Construction and Building Directorate followed the 1963 design. The construction went quickly, according to a modified design from 1963. The murals destroyed by the Pakistani army were not restored and the basement was sealed off. Hamidur Rahman’s original design was not approved by the directorate in the renovation work. In the mid-eighties, the monument underwent further renovation under the supervision of the then Department of Architecture chief architect SHM Abul Bashar, which extended the area of the Shaheed Minar premises, giving it a square shape from a triangular one. Quarters concerned demanded proper implementation of the design by Hamidur Rahman with the help of sculptor Novera Ahmed and Danish architect Gean Deleuran. ASM Ismail said that because of the extension, two entrances to the basement murals were permanently closed, and after remaining in an abandoned state for 15 years, the murals had lost much of their gloss. In the 1983 renovation, the original poor materials were lined with marble stone. A museum and library were also featured in the original plan. On August 25, 2010, the High Court issued nine directives for the maintenance and renovation of the Shaheed Minar and asked the Public Works Department to establish a museum and a library on its premises.
Despite some flaws of proportionality, the Shaheed Minar still stands high. It is one of the city's most important monuments. The Shaheed Minar of Dhaka has a very close association with the city's cultural history. It also happens to be one of the primary Dhaka tourist attractions and is visited by thousands of tourists throughout the year. It is one of the most well-maintained monuments in Bangladesh. Special care is taken each year on the occasion of 21 February (Ekushey February). The premises are washed and cleaned thoroughly. Artists of the Faculty of Fine Arts of Dhaka University then colorfully paint the Central Shaheed Minar premises with intricate designs. Thus the Shaheed Minar premises are colorful throughout the year.

Architecture

The enormous design includes half-circular columns to symbolize the mother, with her fallen sons, standing on the monument's central dais, and the red sun shining behind. The Central Shaheed Minar of Dhaka goes up to a height of 14 metres (46 ft) and was made with marble stones. The stairs and barrier are highlighted in white, to create a divine look. The fence on both sides is painted with lines from poems of legendary poets in iron letters. As the visitors enter the monument they will find two statues of the patriots who sacrificed their lives in that heinous police firing of 1952. The marble floor was designed to reveal the moving shadows of the columns. The basement of the Shaheed Minar also included a 1,500-square-foot (140 m2) mural representing the history of the Language Movement.
Hurried repair of the Shaheed Minar resulted in the Minar to be reconstructed incorrectly. The height of the column was shorter and the head bent more than originally planned, and the proportions of different parts of the monument were not properly maintained.

Significance

The Language Movement was one of the formidable movements which has come up in the country of Bangladesh, thus the Central Shaheed Minar epitomizes efforts to represent the spirit of Bangladeshi nationalism and also highlight the importance of the Bengali language in the social and cultural progress of the country. As a result, the Shaheed Minar has a very significant place in the social and cultural mechanism of Bangladesh.
At present, all national, mourning, cultural and other activities held each year, regarding 21 February, have been centered around the Shaheed Minar.

Location

The Shaheed Minar is situated near Dhaka Medical College Hospital and in the Dhaka University area. It is adjacent to the Mathematics Department of Dhaka University, Jahangirnagar University.

 


 




 


 

 


 

Jatiyo Shangshod

Jatiyo Sangsad Bhaban, the National Assembly of Bangladesh, (Bengali: জাতীয় সংসদ ভবন Jatio Shôngshod Bhôbon) is the Jatiyo Sangshad (National Assembly) Building of Bangladesh, located in the capital Dhaka. It was created by architect Louis Kahn and is one of the largest legislative complexes in the world. It houses all parliamentary activities of Bangladesh. There have been nine national elections in Bangladesh. The first and second Parliaments used the Old Shangshad Bhaban, which currently serves as the Prime Minister's Office. Construction of the Jatiyo Sangshad Bhaban began in 1961 by the Government of Pakistan as a permanent building for the federal legislature of both West and East Pakistan. However, it was the eighth (and last) session of the second parliament of Bangladesh that first used it on 15 February 1982 after its construction was completed on 28 January of the same year. The Jatiyo Sangshad Bhaban has been in operation and has acted as the sole complex used as the National Assembly ever since. Jatiyo Sangshad was designed by Louis Kahn. First, Muzharul Islam was given to design Jatiyo Sangshad Bhaban by the government. But, Islam brought his teacher Louis Kahn into the project to do a significant work for future generation. But, Muzharul Islam assisted Kahn at the project.