National Memorial of Bangladesh

Jatiyo Smriti Soudho (Bengali: Jatio Sriti Shoudho) or National Martyrs' Memorial is a monument in Bangladesh. It is the symbol of the valour and the sacrifice of the martyrs of the Bangladesh Liberation War of 1971, which brought the independence of Bangladesh from Pakistani rule. The monument is located in Savar, about 35 Kilometres north-west of the capital, Dhaka.
Plans for the monument were initiated right after the independence, in 1972. Following the site selection, road and land development, a nation-wide design competition was held in June, 1978. Following evaluation of the 57 submissions, Syed Mainul Hossain's design was chosen. The main structure and the artificial lake and other facilities were completed in 1982.
The monument is composed of 7 isosceles triangular pyramid shaped structures, with the middle one being the tallest. The highest point of the monument is 150 feet. There is an artificial lake, and several mass graves in front of the main monument.

Hossaini Dalan

Husaini Dalan a Shiite shrine in the old part of the city of DHAKA, attributed to the Mughal Period. It is a common practice among the Shia community to build edifices to commemorate the martyrdom of al-Husain, at the battle of Karbala in Iraq on the tenth day of Muharram 61 AH (10 October 680 AD). The building seems to have been originally erected by one Sayyid Murad during the governorship of SHAH SHUJA, who, although himself a Sunni, was eager to preserve and patronise Shiite institutions. Traditions relate that Sayyid Murad, having seen al-Husain in a vision erecting a tazia khana (house of mourning), was inspired to raise the building, which he named Husaini Dalan. The original building may have been a small structure, expanded to its present form in later times. The EAST INDIA COMPANY repaired it in 1807 and 1810, and a portion of the building was reconstructed after the earthquake of 1897.

Paharpur-Buddhist Monastery

It is treated as the Largest Buddhist Seat of Learning of South Asia. It is a small village, 5 km west of Jamalganj in the greater Rajshahi district, where the remains of the most important and the largest known monastery south of the Himalayas has been excavated. This 7th century AD archaeological find covers an area of approximately 11 hectare. The entire establishment, occupying a Quadrangular court, measures more than 300 meters and varies from 3.5 to 4.5 meters in height with an elaborate gateway complex on the north, there are 45 cells on the north and 44 in each of the other three sides, with a total number of 177 rooms.
The architecture of the pyramidal cruciform temple is profoundly influenced by those of South-East Asia, especially Myanmar and Java. It had taken its name from a high mound, which looked like a Pahar or hillock. A site museum built recently houses a representative collection of objects recovered from the area. The excavated findings have also been preserved at the Varendra Research Museum at Rajshahi. The antiquities in the museum include terracotta plaques, images of different gods and goddesses, pottery, coin inscription, ornamental bricks and other minor clay objects included as world heritage site first in Bangladesh.

Central Shahid Minar in Jahangir Nagar University

Inside a green picturesque surrounding of Jahangir Nagar University, the sprawling acres of land holds this beautiful monument dedicated to the language martyrs of 1952.

Baitul Mukarram-the National Mosque of Bangladesh

It is the National Mosque of Bangladesh. Its construction began on 1960, and has been going on in phases. Architect T Abdul Hussain Thariani was commissioned to design the mosque complex. The plan included shops, offices, libraries and parking areas within the complex. The design of the mosque reflects the architecture of the period as can be seen from the use of a white and almost cube-form for the main building. A Mosque without a dome over the roof of its main prayer hall must have been a unique experiment. The main building is eight storied and 33 meters high from the ground level. The area of the main prayer hall is 2464 SQ meters with a mezzanine floor of 171 SQ metres at the eastern side. Verandas surround the hall on three of its four sides. The mihrab of the hall is rectangular instead of semi-circular. Excessive ornamentation is avoided throughout the mosque, since minimizing ornamentation is typical of modern architecture. The Baitul Mukarram mosque is modern in its architectural style. It has found its place in the hearts of the Muslims because of the resemblance of its form to the Holy Kaaba at Makkah.

Kantaji Temple

Lots of colourful and ornamental pagoLots of colourful and ornamental pagodas and temples located in different areas of the country attract tourists from home and abroad. Among the temples Kalinarayana Temple (Joydevpur), Kantaji temple (Dinajpur), Dhakeshwari temple (Dhaka), Joy Kali Mandir (Dhaka). Adinath temple (Moheshkhali) and so on are noteworthy.
In the western part of the country there are several 3 to 4 centuries old temples. Jessoreswari of Khulna is the most famous among them. In addition there are Raghunath mandir and Gopinath mandir of Abhoynagar, Ganesh mandir of Jhenaidaha, Krishna and Durga mandirs of Mohammadpur, Shiv mandir of Magura, Kodala Moth of Khulna, Lakhsminarayan and Jorhbangla mandirs of Jessore, Pancha-Rotno mandir or Noldanga, In Kushtia, Shilaidaha, which is associated with Rabindranath, Lalon's tomb and Mosharaf Hossain's homestead are a must-see for all.
There are several temples and ashrams in Coastal Bengal/ Jal Bangla. The names of the Kali temple. Sugandha pith in Barisal are noteworthy. A few miles north is the 400-year-old Maha-Bishnu temple at the Lakhsman kathi village, east of Batajore, In Madaripur one will find the Pronob Mott, the former headquarters or the Bharat Sevasram Sangha at Bajitpur village, founded by the nationalist and reformer saint, Swami Pranavananda Maharaj.
In Southeast Bengal there are at least 50 famous temples and viharas in Chittagong city alone. Some of the well-known ones are: Rajrajeswari Kalibari, Chatteswari Kalibari, Panchanan dham, Nandan-kanan Buddhist Mandir, Brahmo mandir, Koibalya-dham, Jagatpur ashram, Sitakunda, Pancha-batika of Swami Vivekananda fame, etc. In and around Comilla there are Abhoy Ashram. Iswar Pathshala. Gandhi Ashram of Noakhali, the half-a-millennium old Chandi-mura temple, the 10th century Maynamati Vihara and many more.
Sylhet has hundreds of famous temples dedicated to Lords Kali, Shiv and Sri Krishna. Bagala Matar Mandir of Habiganj and Kalibari of Jaintiapur are known throughout the subcontinent.

In North Bengal kings and zamindars (landed gentry) have built many temples, Mosques, palaces and ashrams. One of the most famous temples is the terra cotta Kantaji Mandir of Dinajpur. In addition, Bogra's Karatoa Tott tirtha, the Bardhan-Kuthi Mandir of Rangpur, the Shiv and Gobindo mandirs of Putia deserve special mention.
Besides Paharpur and Mahasthangarh, other noteworthy Buddhist religious establishments include Bhasu Vihar, Halud Vihar, and Sitakot. There are many khyang or pagodas in Ramu upazila of Cox's Bazar and Chittagong.
das and temples located in different areas of the country attract tourists from home and abroad. Among the temples Kalinarayana Temple (Joydevpur), Kantaji temple (Dinajpur), Dhakeshwari temple (Dhaka), Joy Kali Mandir (Dhaka). Adinath temple (Moheshkhali) and so on are noteworthy.
In the western part of the country there are several 3 to 4 centuries old temples. Jessoreswari of Khulna is the most famous among them. In addition there are Raghunath mandir and Gopinath mandir of Abhoynagar, Ganesh mandir of Jhenaidaha, Krishna and Durga mandirs of Mohammadpur, Shiv mandir of Magura, Kodala Moth of Khulna, Lakhsminarayan and Jorhbangla mandirs of Jessore, Pancha-Rotno mandir or Noldanga, In Kushtia, Shilaidaha, which is associated with Rabindranath, Lalon's tomb and Mosharaf Hossain's homestead are a must-see for all.
There are several temples and ashrams in Coastal Bengal/ Jal Bangla. The names of the Kali temple. Sugandha pith in Barisal are noteworthy. A few miles north is the 400-year-old Maha-Bishnu temple at the Lakhsman kathi village, east of Batajore, In Madaripur one will find the Pronob Mott, the former headquarters or the Bharat Sevasram Sangha at Bajitpur village, founded by the nationalist and reformer saint, Swami Pranavananda Maharaj.
In Southeast Bengal there are at least 50 famous temples and viharas in Chittagong city alone. Some of the well-known ones are: Rajrajeswari Kalibari, Chatteswari Kalibari, Panchanan dham, Nandan-kanan Buddhist Mandir, Brahmo mandir, Koibalya-dham, Jagatpur ashram, Sitakunda, Pancha-batika of Swami Vivekananda fame, etc. In and around Comilla there are Abhoy Ashram. Iswar Pathshala. Gandhi Ashram of Noakhali, the half-a-millennium old Chandi-mura temple, the 10th century Maynamati Vihara and many more.
Sylhet has hundreds of famous temples dedicated to Lords Kali, Shiv and Sri Krishna. Bagala Matar Mandir of Habiganj and Kalibari of Jaintiapur are known throughout the subcontinent.

In North Bengal kings and zamindars (landed gentry) have built many temples, Mosques, palaces and ashrams. One of the most famous temples is the terra cotta Kantaji Mandir of Dinajpur. In addition, Bogra's Karatoa Tott tirtha, the Bardhan-Kuthi Mandir of Rangpur, the Shiv and Gobindo mandirs of Putia deserve special mention.
Besides Paharpur and Mahasthangarh, other noteworthy Buddhist religious establishments include Bhasu Vihar, Halud Vihar, and Sitakot. There are many khyang or pagodas in Ramu upazila of Cox's Bazar and Chittagong.

The oldest capital of Bengal-Sonargaon

Sonargaon's importance in the pre-Muslim period is borne out by its ancient name of Suvarnagrama (the golden village), from which it is obvious how the Muslim version of the name is derived, as well as by the existence of Langalbandh and Panchamighat, the two traditional holy bathing places of the Hindus, in this tract of land on the west bank of the old Brahmaputra. Sonargaon rose to be the seat of an independent ruler under Ghiyasuddin Bahadur Shah, and after his fall it was the headquarters of the eastern province of Bengal under the Tughlaqs till 1338. Sonargaon emerged as the capital of an independent Sultanate under Fakhruddin Mubarak Shah (1338-1349). In the late nineteenth and early twentieth century Panam Nagar was developed in a part of medieval Sonargaon.
By the second Quarter of the fourteenth century AD Sonargaon had developed into a commercial metropolis; seafaring boats could easily reach Sonargaon from west Asian and southeast Asian countries. Ibn Batuta describes Sonargaon as an important port city, which had direct commercial relations with countries like China, Indonesia (Java) and the Maldives. Muslin produced in Sonargaon, especially its finest variety called khasa, had a worldwide reputation. With the loss of political status in the second decade of the seventeenth century AD Sonargaon gradually lost its commercial importance as well. It again rose to some eminence in the nineteenth century AD when Panam Nagar was established as a trading centre in cotton fabrics, chiefly English piece goods. Sonargaon developed into a seat of Islamic learning under the versatile scholar Maulana Sharfuddin Abu Tawwamah of Bokhara who came to Sonargaon sometime between 1282 and 1287 and established a Khanqah and madrasa wherein all branches of Islamic learning as well as secular sciences were taught and studied.

World War II Cemetery in Comilla

Second World War warrior’s graveyards are in this Cemetery. There are 755 graves in this graveyard of the great warriors who died d in world war from1939 to 1945 in Comilla district and Chittagong division. In this well-preserved cemetery at a quiet and picturesque place within the city lie buried in eternal peace over 700 soldiers from British, Australia, Canada, New Zealand, India, Myanmar, East and West Africa, The Netherlands and Japan who laid down their lives on the Myanmar front during the World War II. Every year a number of tourists come here to visit this Cemetery.

Star Mosque in Dhaka

Star mosque, a 19th century establishment, is a very beautiful mosque of the city situated at Armanitola, in the old part of Dhaka City. In faultless Mughal style architecture, it is a five­-dome mosque with hundreds of big and small twinkling stars as surface decorations. The stars have been created by setting pieces or chinaware on white cement. Seen from the front and from far it looks as if it were shining above the surface of the earth. The inside or the mosque is even more beautiful than the outside, with a lovely mosaic floor and excellent tiles with many floral patterns set on the walls, all in complete harmony.

Kantaji Temple

Lots of colourful and ornamental pagodas and temples located in different areas of the country attract tourists from home and abroad. Among the temples Kalinarayana Temple (Joydevpur), Kantaji temple (Dinajpur), Dhakeshwari temple (Dhaka), Joy Kali Mandir (Dhaka). Adinath temple (Moheshkhali) and so on are noteworthy.

In the western part of the country there are several 3 to 4 centuries old temples. Jessoreswari of Khulna is the most famous among them. In addition there are Raghunath mandir and Gopinath mandir of Abhoynagar, Ganesh mandir of Jhenaidaha, Krishna and Durga mandirs of Moh­ammadpur, Shiv mandir of Magura, Kodala Moth of Khulna, Lakhsminarayan and Jorhbangla mandirs of Jessore, Pancha-Rotno mandir or Noldanga, In Kushtia, Shilaidaha, which is associated with Rabindranath, Lalon's tomb and Mosharaf Hossain's homestead are a must-see for all.

There are several temples and ashrams in Coastal Bengal/ Jal Bangla. The names of the Kali temple. Sugandha pith in Barisal are noteworthy. A few miles north is the 400-year-old Maha-Bishnu temple at the Lakhsman kathi village, east of Batajore, In Madaripur one will find the Pronob Mott, the former headquarters or the Bharat Sevasram Sangha at Bajitpur village, founded by the nationalist and reformer saint, Swami Pranavananda Maharaj.

In Southeast Bengal there are at least 50 famous temples and viharas in Chittagong city alone. Some of the well-known ones are: Raj­rajeswari Kalibari, Chatteswari Kalibari, Panchanan dham, Nandan-kanan Buddhist Mandir, Brahmo mandir, Koibalya-dham, Jagatpur ashram, Sitakunda, Pancha-batika of Swami Vivekananda fame, etc. In and around Comilla there are Abhoy Ashram. Iswar Pathshala. Gandhi Ashram of Noakhali, the half-­a-millennium old Chandi-mura temple, the 10^th century Maynamati Vihara and many more.

Sylhet has hundreds of famous temples dedicated to Lords Kali, Shiv and Sri Krishna. Bagala Matar Mandir of Habiganj and Kalibari of Jaintiapur are known throughout the subcontinent.

In North Bengal kings and zamindars (landed gentry) have built many temples, Mosques, palaces and ashrams. One of the most famous temples is the terra cotta Kantaji Mandir of Dinajpur. In addition, Bogra's Karatoa Tott tirtha, the Bardhan-Kuthi Mandir of Rangpur, the Shiv and Gobindo mandirs of Putia deserve special mention.

Besides Paharpur and Mahasthangarh, other noteworthy Buddhist religious establishments include Bhasu Vihar, Halud Vihar, and Sitakot. There are many khyang or pagodas in Ramu upazila of Cox's Bazar and Chittagong.

Armenian Church

This church dates from 1781 and it is still functioning today. Compared to some of the splendid churches elsewhere in the world, this is a rather small, but interesting building crowding on a narrow back street of old Dhaka. But in the Dhaka context it is a very important tranquil haven in the heart of a huge crowded Muslim city.

The church supports a small Christian community from several countries that meets every Sunday evening. The Armenians were once at the heart of Bengal’s jute and leather trade but the community has virtually vanished. For much of the rest of the week the door to the compound is looked but there is always someone inside because the caretaker, his family and others live on site. You just need to wait or bang loudly on the door and someone will come to let you in.

Kuthibari of Nobel Laureate Poet Rabindranath Tagore

Shilaidaha Kuthibadi a historic place associated with RABINDRANATH TAGORE and a tourist spot. It stands on the south bank of the river Padma in Kumarkhali upazila in Kushtia district and is five miles north of the district headquarters across the Gadai and opposite to the Pabna town on farther north across the Padma. Shilaidaha is also famous for the kachhari (office) of the Birahimpur zamindari and the historic kuthibadi of the Tagore family of Jorasanko.

Shilaidaha is a relatively modern name; its old name was Khorshedpur. Before the Thakurs of Jorasanko acquired the village in the middle of the 19th century there stood an indigo-Kuthi reportedly built by a planter, named Shelly. A deep daha (whirlpool) was formed there at the confluence of the Gadai and the Padma, and hence the village came to be known as 'Shelly-daha', which ultimately took the form of 'Silaidaha'. DWARKANATH TAGORE, grandfather of Rabindranath Tagore, became the owner of this zamindari in 1807 by means of a will executed in his favour by Ramlochan Tagore. Rabindranath assumed the responsibility of looking after the zamindari and came to Shilaidaha for the first time in November 1889.

Rabindranath Tagore in his adolescence and even later occasionally stayed there during his periodic inspection of the zamindari estate. But later the Padma began to devour its banks during high flood close to the old Kuthibadi. Alarmed at the devastating erosion it was dismantled and its building materials were used for the erection of the new Kuthibadi. There the poet lived for more than a decade at irregular intervals between 1891 and 1901. During his stay there, eminent scientists, litterateurs and intelligentsia of Bengal such as Sir JAGADISH CHANDRA BOSE, DWIJENDRALAL ROY, PRAMATHA CHOWDHURY, MOHITLAL MAJUMDER, Lokendranath Palit visited him on various occasions. Sitting at his desk in the Kuthibadi or on a boat on the Padma, Rabindranath wrote a number of masterpieces: Sonar Tari, Chitra, Chaitali, Katha O Kahini, Ksanika, most of the poems of Naibedya and Kheya, and the songs of GITANJALI and Gitimalya. It was here, in 1912, that the poet started his translation of Gitanjali into English, which earned him the Nobel Prize in 1913. Rabindranath had a deep attachment for Shilaidaha and the Padma, which is evident in his Chhinna Patrabali. The poet once wrote in a letter, 'The holy place of my literary pursuits during my youth and middle age was the village of Shilaidaha kissed by the waves of the Padma'.

Kuthibadi is a picturesque three-storied terraced bungalow, constructed with brick, timber, corrugated tin sheets and Raniganj tiles. Silaidaha Kuthibadi is nestled within about eleven acres of beautiful orchards of mango, jackfruit and other evergreen trees, a flower garden and two ponds. Silaidaha has an enchanting natural beauty and rural landscape. The Villa, enclosed within a boundary wall, is entered through a simple but attractive gateway on the south. It accommodates about 15 apartments of various sizes with a large central hall on the ground and the first floors. Each of the open terraces on the ground and the first floors is partly covered with a sloping roof of Raniganj tiles, while the central part over the ground floor has a pitched roof with gable ends. A short pyramidal crest farther variegates the roof over the second storey. Silaidaha Kuthibadi is now a protected national monument where a Thakur Memorial Museum has been established by the government.

Rabindranath started his experimental work with village development and modern methods of cultivation at Shilaidaha, which he later undertook at PATISAR. He established a primary school there in the name of Pratima Devi, his daughter-in-law.

The birth and death anniversaries of the poet are observed at Silaidaha on a national level on 25 Baishakh and 22 Shraban respectively. Many scholars from home and abroad attend these celebrations and take part in discussions on the life and works of Rabindranath. Cultural functions follow, during which prominent artistes present TAGORE SONGS

Mahasthangarh

It is considered the oldest archaeological site of the county. It is located at a distance of 18 km north or Bogra town on the western bank of the Karatoa river. The spectacular site is an imposing landmark in the area. having a long fortified enclosure. Beyond the fortified area, other ancient ruins fan out within a semicircle of about 8 km radius. Several isolated mounds, the local names of which are Govinda Bhita Temple, Khodia Pathar Mound, Mankalir Kunda, Parsuramer Bedi, Jiyat Kunda etc. surround the fortified city. This 3rd century B.C. archaeological site is still held to be of great sanctity by the Hindus. Every year (mid-April) and once every 12 years (in December) thousands of Hindu devotees join the bathing ceremony on the bank of the Karatoa river.

Mosque Baba Adam

A slightly later date the elegant 6-domed mosque (13m x 11m) sq meters of Baba Adam in Rampal near Dhaka was erected by your Malik Kafur during the reign of the last Ilyas Shahi Sultan, Jalauddin Fateh Shah in 1483 AD. It displays the same characteristic features of the period such as the faceted octagonal turrets at 4 corners, the curved cornice. The one facade and 3 mihrabs relieved richly with beautiful terracotta floral and hanging patterns.

The Ahsan Manjil representing the era of Nawabs

It is situated at Kumartoli in old Dhaka on the bank of the river Buriganga. It was the residential palace and the kachari of the nawabs of Dhaka. It has recently been turned into a museum. The construction of the palace was begun in 1859 and completed in 1872. Nawab Abdul Ghani named it Ahsan Manzil after his son Khwaja Ahsanullah. Ahsan Manzil is one of the significant architectural monuments of the country. Established on a raised platform of 1 meter, the two-storied palace measures 125.4m by 28.75m. The height of the ground floor is 5 meters and that of the first floor 5.8 meters. There are porticos of the height of the ground floor, both on the northern and southern sides of the palace. A spacious open stairway has come down from the southern portico, extending up to the bank of the river through the front garden.
Internally, the palace is divided into two symmetrical halves on either side of the dome. There is a large drawing room in the east wing of the first floor. On its northern side there is a library and a card room, and in the eastern corner there are four square rooms. On the western wing of the first floor there is a spacious jalsaghar with a Hindustani room on the northern side and four square rooms in the western corner. The floors of these two rooms are made of wooden planks. On the ground floor there is a big dining hall and six square rooms in the eastern part. There are attractive wooden stairs in the room that is attached to the north of the domed room. The bauisters were ornamented with vine leaves made of iron along the railing of the stairs. The wooden ceiling of the room, decorated with geometric designs, is very elegant.

The Seat of Lost Dynasties

It is called the Seat of Lost Dynasties. About 8 km to the west of Comilla town, situated 114 km southeast of Dhaka, lies a range of low hills known as the Mainamati-Lalmai ridge, which was an extensive centre of Buddhist culture. On the slopes or these hills lie scattered a treasure of information about the early Buddhist civilization (7th-12th Century AD.). At Salban in the middle or the ridge, excavations have laid bare a large Buddhist Vihara (monastery) with an imposing central shrine. It has revealed valuable information about the rule of the Chandra and Deva dynasties which Flourished here from the 7th to the 12th century AD. The whole range of hillocks runs for about 18 km and is studded with more than 50 sites. A site museum houses the archaeological finds which include terra cotta plaques, bronze statues and caskets, coins, jewellery, utensils, pottery and votive stupas embossed with Buddhist inscriptions.

Lord Curzon Hall of Dhaka University

Curzon Hall meant to be a town hall, was named after Lord Curzon, the Viceroy of India, who laid its foundation in 1904. A year later Bengal was partitioned and Dhaka became the capital of the newly created province of East Bengal and Assam. Following the annulment of partition in 1911 it was used as a premise of Dhaka College, and after the establishment of Dhaka University in 1921, became part of the university's science section and continues as such. Laid out in a spacious and carefully maintained garden, this double storeyed brick building has a large central hall, lateral wings on the east and west with several rooms, and a continuous verandah on all sides.

One of the best examples of Dhaka's architecture, it is a happy blend of European and Mughal elements, particularly noticeable in the projecting facade in the north which has both horse-shoe and cusped arches.

The style combined traditional art with modern technology and functions and favoured Mughal forms such as arches and domes, believed to have entered the Islamic world from the west. It marks the casting aside of veiled power after the sepoy revolt of 1857, and India's passing directly under the British Crown, seeking legitimacy by linkage to the Mughals. The red colour substituting for red sandstone, and the ornate brackets, deep eaves, and domed terrace pavilions (chhatris), specially of the middle section are strikingly reminiscent of the small but well-known Diwan-i-Khas in the palace fortress of Fatehpur Sikri, Emperor akbar's capital between 1570 and 1585. Not only were both cities new capitals, but the deliberate choice of the Fatehpur Sikri style may be explained by the fact that the British favoured Akbar as the wisest and most tolerant of all the Mughals, feeding into the ideal of their own role in India.

The Curzon Hall has attained a great significance in the history of the language movement. It was here, in 1948, the students of Dhaka University uttered their first refusal to accept Mohammed Ali Jinnah's declaration that Urdu alone would be the state language of the then Pakistan.

Chotto Sona Mosque/Small Gold Mosque

One of the most graceful monuments of the Sultanate period is the Chhota Sona Masjid or Small Golden Mosque at Gaur in Rajshahi. Built by one Wali Muhammad during the reign of Sultan Alauddin Husain Shah (1493-1519), it was originally roofed over with 15 gilded domes including the 3 ChauchaIqa domes in the middle row, from which it derives its curious name.

Lalbag Fort in Old Dhaka City

Lalbagh Fort, an incomplete Mughal palace fortress in Dhaka stood on the banks of the river Buriganga in the southwestern part of the old city. The river has now moved further south and flows at Quite a distance from the fort. D’Oily’s painting (1809-1 I) shows that more than half of this east-west oblong fortress touched the water of the river on its southern and southwestern sides. The construction of the fort was commenced in 1678 AD by Prince Muhammad Azam during his I 5 month long vice-royalty of Bengal.

For a long time the fort was considered to be a combination of three buildings (the mosque, the tomb of Bibi Pari and the Diwan-i-Aam), two gateways and a portion of the partly damaged fortification wall. In the present fort area of 7.2 hectares, excavations have revealed the remains of structures. Of the three surviving gateways, the southern one is the most imposing. Seen from the front it is a three-storied structure with a fronton, bordered with slender minarets. From inside it gives the impression of a two-storied structure.

A water channel with fountains at regular intervals connects the three buildings from east to west and two similar channels run from south to north. The building in the middle, the tomb of Bibi Pari, is the most impressive of the surviving buildings of the fort. Eight rooms surround a central square room, containing the mortal remains of Bibi Pari, which is covered by a false dome. Octagonal in shape, and wrapped by brass plate. The entire inner wall of the central room was covered with white marble. While the four side central rooms had stone skirting up to a height of one meter. The wall in the four corner rooms was skirted with beautiful glazed floral tiles. The tiles have recently, been restored; two of the original tiles have been retained. The southeastern corner room contains a small grave, popularly known to be of Shamsad Begum, possibly a relative of Bibi Pari. The Lalbagh Fort Mosque is a three-domed mosque with a water tank.

Sixty Dome Mosque in Bagerhat

Among the many surviving monuments of the Khan Jahan Ali style, undoubtedly the most magnificent and largest brick mosque in Bangladesh is the Shait Gombuj. It is situated in Bagerhat district. For outstanding architectural value. the World Heritage Committee of UNESCO inscribed Bagerhat in the World Heritage list and it got the status of the second World Heritage site in Bangladesh after Paharpur. As there were a great number of mosques, the Historian, a French monthly termed it a city of mosques. The earliest torchbearer of Islam in the south, Khan Jahan Ali came from Delhi to settle a Muslim colony in this swampland in the early-15th century AD. The natural beauty of the region had such an effect upon him that he spent the rest of his life there. History says that he constructed about 360 mosques and as many freshwater tanks, as well as palaces, mausoleums and other public buildings in a very short space of time.

Out of today's surviving mosques, the Shait Gombuj Mosque is the most magnificent and certainly the largest brick mosque surviving in Bangladesh. Its name, meaning '60 domes', is misleading as in reality, it is roofed over with 77 small domes supported by a forest of slender columns covering a large prayer hall and giving it the appearance of a medieval church crypt. At sunrise when the rays of the sun penetrate the eastern entrances, the interior comes to life. There is little adornment to this building other than the carved stone decoration to the central mihrab at the western end of the prayer hall. The exterior facades, with slightly 'battered' walls, have discernible curving cornices a concession to the local style.

National Parliament of Bangladesh

It is one of the most majestic public buildings in Bangladesh. The National Parliament (Sangsad Bhaban) complex is located at Sher-e-Bangla Nagar of Dhaka city. The National Parliament Building is an architectural masterpiece for which the nation can be said to be justifiably proud.
The decision to construct the National Parliament Complex at Dhaka was originally taken in 1959. Louis I Kahn. one of the greatest architects of the time was initially selected for designing the complex. which would include the National Parliament Building. Hostels for members of parliament. ministers and secretaries. hospitality halls and communally buildings. All linked by roads and walkways and surrounded by attractive gardens and lakes. The main characteristic of the building is its monumentally. The mass of concrete lined with marble strips, the outer wall punctuate by pure geometrical openings and the dominating circular and rectangular concrete masses impart a supreme monumentality to the building quite suited to its noble function.
The main building complex consists of nine individual blocks, of which eight at its periphery rise to a height of 35 meters, while the octagonal block at the centre shoots up to 52 meters. The central block accommodates the Parliament chamber with a capacity of 354 seats for members of the parliament. The entire complex has a floor area or 76,487 SQ meters in the main building, 20725 sq meters in the South Plaza and 6,041 sq meters in the North Plaza.
There is not a single column in the entire building. Hollow columns that are parts of space enclosures have been adapted as structural supports.
One of the important considerations in designing the building was protection from the sun and rain. The structure provides a visual impression or a majestic edifice. It avoided the conventional method of placing windows in the exterior and the disadvantages of monumental composition were removed by the provision of core walls with small gaps in between. Architecturally, the complex marks a distinct departure from the rest of the modern buildings in Dhaka.

Language Martyr's Monument of Bangladesh

The Shaheed Minar (Bengali: Shohid Minar) is a national monument in Dhaka, Bangladesh, established to commemorate the martyrs of the Language Movement of 1952.
On February 21, 1952, dozens of students and political activists were killed when the Pakistani police force opened fire on Bengali protesters who were demanding equal status to their native tongue, Bangla. The massacre occurred near Dhaka Medical College and Ramna Park in Dhaka. A makeshift monument was erected on February 23[1] by students of University of Dhaka and other educational institutions, but soon demolished on February 26[2] by the Pakistani police force.
The Language Movement gained momentum and after a long struggle, Bangla was given equal status as Urdu. To commemorate the martyrs, the Shaheed Minar was designed and built by Hamidur Rahman, a Bangladeshi sculptor. The monument stood until the Bangladesh Liberation War in 1971, when it was demolished completely during Operation Searchlight, a genocide carried out by the Pakistani Army resulting in an estimated 50,000 civilian deaths. After Bangladesh gained independence, it was rebuilt.
Today, the Shaheed Minar is the centre of cultural activities in Dhaka. Every year, the Language Movement is remembered at the monument.

National Museum of Bangladesh

Bangladesh National Museum preserves and displays the cultural property and heritage, as well as specimens of natural history of Bangladesh. Its mission is to establish a bridge between the past and the present and uphold the national tradition and culture. The museum itself has a history, which began with the establishment of Dhaka Museum on 20 March 1913 with an annual government grant of Rs 2,000. The Governor of Bengal, LORD CARMICHAEL, formally inaugurated the museum on 7 August 1913 in a room of the Secretariat Building (at present, the DHAKA MEDICAL COLLEGE AND HOSPITAL).

The plea for setting up a museum in DHAKA was first made in the newspaper The DHAKA NEWS on 1 November 1856. In 1909, a few coins were transferred from Shillong to Dhaka, and a suitable place was needed to preserve them. H E Stapleton, a famous numismatist made a proposal to Governor Sir Lancelot Hare on 1 March 1910 to establish a museum in Dhaka. Consequently, a meeting of distinguished citizens of Dhaka was held on 25 July 1912 at NORTHBROOK HALL. The establishment of the museum was formally approved by the government and published in the official Gazette of 5 March 1913. A provisional General Committee of 30 members was constituted with Nicholas D Beatson-Bell, Commissioner of Dhaka Division, as president. It was authorised to appoint a provisional executive committee to draft rules for the management of the museum. The rules drawn up were approved by the government on 18 November 1913, and in accordance with these, a general committee and an executive committee were formed.



In the first meeting of the general committee held on 3 March 1914, a decision was taken to request the Bengal government for a grant of Rs 5,000 to cover the development expenses of the museum for 1914-15. The first meeting of the executive committee was held on 19 May 1914. At this meeting the draft budget for the year 1914-15 was prepared and a decision was taken to appoint a curator. NALINI KANTA BHATTASALI joined as the first curator of Dhaka Museum on 6 July 1914, with a monthly salary of Rs 100. Although the museum was inaugurated on 7 August 1913, it was opened to the public on 25 August 1914, with 379 objects on display. A total of 4,453 people visited the museum in 1914-15; among them 143 were female.



Gradually, collections and activities of the museum increased. The secretariat of the museum was transferred to Baraduwari and Deuri at Nimtali (now in the premises of the Asiatic Society of Bangladesh) in July 1915. In 1936, the government dissolved both the general committee and the executive committee and a 9-member Dhaka Museum Committee was formed with the Vice Chancellor of the UNIVERSITY OF DHAKA as president and the curator of the museum as secretary. Nalini Kanta Bhattasali died on 6 February 1947. Later, Professor Ahmed Hasan Dani, Professor Abu Mohamed Habibullah, Professor Sirajul Haque and Dr Mafizullah Kabir worked as part-time honorary curators at different times. According to the Dhaka Museum Ordinance, a board of trustees was formed on 22 April 1970 and the museum became an autonomous institution. The Bangladesh Jatiya Jadughar (National Museum) Ordinance was promulgated on 20 September 1983 under which the Bangladesh Jatiya Jadughar Board of Trustees has been constituted on 15 November 1983.



The Bangladesh National Museum was shifted to its present site at Shahbag on 17 November 1983. The four-storied building of the museum has 43 galleries on a total floor space of 238,000 square feet. The galleries include: Bangladesh in maps; Rural Bangladesh; SUNDARBANS; rocks and minerals; plants; flowers, FRUITs and creepers; animals; BIRDs; mammals; ELEPHANT; life in Bangladesh; BOATs of Bangladesh; tribes of Bangladesh-1; tribes of Bangladesh-2; potteries; archaeological artifacts; sculpture-1; sculpture-2; architecture; inscriptions; coins, medals and ORNAMENTS; ivory works; arms and weapons; metal works; porcelain and glassware; dolls; musical instruments; TEXTILES and costumes; embroidered quilts; wood carvings-1; wood carvings-2; manuscripts and documents; traditional and miniature paintings; Shilpacharya ZAINUL ABEDIN Gallery; contemporary art-1; contemporary art-2; eternal Bangladesh, portraits of national heroes, historical documents and mementos of national heroes, martyred intellectuals; WAR OF LIBERATION-1; War of Liberation-2; world art-1; world art-2 and portraits of world personalities. The museum has two auditoriums - one with 700 seats and the other with 200 seats, a temporary exhibition hall and office rooms for officers and the staff.



By June 1998, the museum had collected 82,475 objects. The most significant objects are: ancient petrified wood (2.5 million years old) collected from LALMAI and MAINAMATI; blackstone Naga Darwaza (serpent doorway) of 10th-11th century collected from Bangarh, DINAJPUR; pieces of atom bombs blasted in Hiroshima and Nagasaki, Japan in 1945; mat made of ivory; objects of the Liberation War of Bangladesh; objects used by the martyrs of the LANGUAGE MOVEMENT; MUSLIN of Dhaka; items of folk art and crafts; coins of emperor Sher Shah; terracotta plaques; sculptures and collection of contemporary art including various types of statues.



A large portion of the budget of the museum comes from the government as grant. The sources of the museum's own income include the rent collected from the four auditoriums and other buildings and sale of entry tickets. The director general is the chief executive of the museum. It has four branch museums: Osmany Museum at SYLHET; AHSAN MANZIL Museum in Dhaka; Zia Smriti Museum in CHITTAGONG, and the Shilpacharya Zainul Abedin Sangrahashala at MYMENSINGH. The number of foreign and local visitors at the museum average 2,345 a day. For rural people, the museum organised a Mobile Exhibition in 1979 with a special bus containing a Mini Museum of 28 small galleries. The objective of this programme was to make the masses familiar with the culture and tradition of Bangladesh.



In 1976, the museum started the school service programme that provided the students of Dhaka city with the opportunity to visit the museum by using its own transport. Under this programme, a total of 24,013 student visitors visited the museum during 1996-97.



According to the nature of objects displayed, the museum is divided into four curatorial departments. These are: Department of History and Classical Art, Department of Ethnography and Decorative Art, Department of Contemporary Art and World Civilisation, and Department of Natural History. The important objects under the supervision of the Department of History and Classical Art include the table on which the Instrument of Surrender was signed by the Pakistan army on 16 December 1971; the first flag of independent Bangladesh hoisted at foreign missions; documents of the Liberation War of Bangladesh; torture machines; The historic declaration of BANGABANDHU SHEIKH MUJIBUR RAHMAN delivered on 7 March 1971 in Dhaka; the bullet- ridden and blood-stained shirt and shoes of Shaheed Shafiur Rahman, a martyr of the language movement of 1952; personal mementos of martyred intellectuals and Shaheed Asad; historical mementos of ROQUIAH SAKHAWAT HOSSAIN, MICHAEL MADHUSUDAN DUTT, KAZI NAZRUL ISLAM and RABINDRANATH TAGORE; ancient blackstone, sandstone and metal sculptures; coins of gold, silver and metal; ancient inscriptions and manuscripts; terracotta plaques; wooden sculpture; medals, royal decrees and historic artworks; iron axes; archaeological artifacts and objects of religious significance.



Remarkable objects under the supervision of the Department of Ethnography and Decorative Art include muslin SARI; decorative umbrella and sari; choga (a sort of loose and long outer dress); achkan (kinkhab- ceremonial dress); textiles; boats of Bangladesh; weapons made of iron; cannons; nakada (war drum); swords; filigree models; ivory works; NAKSHI KANTHA (embroidered quilt); plates and dishes of porcelain; potteries; dolls; wood carvings; musical instruments; ornaments worn by various tribes; dresses worn by tribes; ornaments worn by women; fishing implements; objects of household decoration; moulds of decorative cakes; and strings of glass-beads.



The important objects under the Department of Contemporary Art and World Civilisation include paintings and sculptures of Shilpacharya Zainul Abedin, Quamrul Hasan and artist S M Sultan and artworks and reproductions of works by renowned artists from home and abroad; potteries burnt during the Second World War in Hiroshima of Japan and various local and foreign objects collected from Bangabhaban.



Objects supervised by the Department of Natural History include mapping of rocks, minerals and population of Bangladesh; geological map of Bangladesh; water colour paintings of rural Bangladesh; stuffed Royal BENGAL TIGER of the Sundarbans, chitral deer, honey bee, PEAFOWL, CATTLE and birds, fruits and flowers, butterflies, pet animals, marine mollusc, elephant, monkey, LANGUR and the skeleton of a whale. Two other departments are Conservation Laboratory and Department of Public Education. The laboratory looks after the restoration of museum objects using scientific methods. The Department of Public Education conducts museum-related education programmes for the public and students. This department has seven sections: education, display, library, publications, audio-visual, auditorium and photography. The Department of Public Education organises seminars, symposia, exhibitions, competitions and educational and cultural functions.

Aporajeo Bangla'-Undefeated Bengal at Dhaka University

A symbol of our national liberation war, this wonderful sculpture has great influence in national political, social and cultural lives. Named as Aporajeyo Bangla, it means undefeated Bangla. It is situated at the heart of Dhaka University just in front of the Arts Faculty of the University.

National Memorial of Bangladesh

Jatiyo Smriti Soudho (Bengali: Jatio Sriti Shoudho) or National Martyrs' Memorial is a monument in Bangladesh. It is the symbol of the valour and the sacrifice of the martyrs of the Bangladesh Liberation War of 1971, which brought the independence of Bangladesh from Pakistani rule. The monument is located in Savar, about 35 Kilometres north-west of the capital, Dhaka.

Plans for the monument were initiated right after the independence, in 1972. Following the site selection, road and land development, a nation-wide design competition was held in June, 1978. Following evaluation of the 57 submissions, Syed Mainul Hossain's design was chosen. The main structure and the artificial lake and other facilities were completed in 1982.

The monument is composed of 7 isosceles triangular pyramid shaped structures, with the middle one being the tallest. The highest point of the monument is 150 feet. There is an artificial lake, and several mass graves in front of the main monument.